15th Biennale of Visarte Jura, Au Gueulard, St Ursanne, 2014
"Gaia", technique mixte: porcelaine, perles, pierres, racines, plexiglass e huile d'olive. 25x25x35 cm
"Cette petite déesse de la Terre est un hôtel imaginaire dédié à notre Planète.
Pour se receuillir, se confier et se rappeler d'où l'on vient."
Cette petite déesse de la Terre a trouvé une chapelle, un refuge, dans ce Gueulard aux dimensions de cathétrale.
Dans cette piece de travail intime et exigue, "Gaia" génère l'évasion intérieure.
"Sans Titre" 1,2,3,4
Mes portraits de femmes à l'encre de couleurs sur papier (40x40 cm) apportent aussi une touche de féminité dans ce lieu industriel et masculin.
"Is That All There Is?", Galerie Au Virage, 2013
Series of ink portraits and porcelain heads based on a song
Technically, my whole artistic process has been focused on details.
Watercolor and ink took over my studio after searching for new techniques to liberate my style.
Stepping away from acrylic paint and collages,
freeing myself from minutiae work. Searching for the commotion without artifice, clearing my stage.
Watercolor gives one the possibility to work in absolute intensity as an acrobat in a storm.
Hazard gets into the process and takes part of the result.
Working with clay (since 2003) is a marvelous complement to watercolour.
In opposition, its tactile and sensual process is extremely slow.
It takes days to dry the clay and the surprises of firing and glazing take you
each time to new territories.
Rapidly, the idea of integrating a song for each portrait, the melody and the voice carrying the creative process.
I wanted to give another dimension to the character, give a narrator to these persons.
